Subcategories
Hollar, Wenceslaus
Hollar, Wenceslaus (1607-1677). Children's Games. "Four childrens and a satyrisk with a goat". Orig. etching by W. Hollar, 1647, after P. van Avont's drawing. Signed and dated at the bottom right of the desk. 13,5:19,6 cm.
Hollar, Wenceslaus (1607-1677). Children's Games. "Four childrens with a goat". Orig. etching by W. Hollar, 1647, after P. van Avont's drawing. Signed at the bottom in the desk. 13,5:20,6 cm.
Pietro Aquila (ca. 1630-1692) after Pietro da Cortona (1596-1669). The sacrifice to Diana. Orig. etching, 2nd half of the 17th century. Published in Rome by Giovanni Giacomo de Rossi. With Italian title under the picture. 41,5:62,5 cm (the picture).
Lilliputians, dwarfs. Arnold van Westerhout (1651-1725), Elias Baeck (1679-1747). A baroque series of caricatures of Lilliputians / dwarfs. 11 orig. copperplate engravings. Engraved by Elias Baeck, called 'Heldenmuth'. Published by A. Schmidt in Augsburg, ca. 1720. Each engraving 18,5:28,5 cm.
Pencz, Georg (ca. 1500-1550). Gaius Mucius Scaevola puts his hand into the fire. Orig. copperplate engraving, ca. 1535-37. 11,1:7,8 cm. Printed on handmade paper with margins ca. 1 mm.
Pencz, Georg (ca. 1500-1550). Salome with the head of John the Baptist. Orig. copperplate engraving, ca. 1533. 4,8:7,7 cm. Printed on handmade paper with margins ca. 1-2 mm.
Aldegrever, Heinrich (1502-1555, 1558 or 1561). Mercury ("Mercurius"). Orig. copperplate engraving, 1533. Typographically signed with a monogram 'AG' and dated at the bottom right. 9,7:6,5 cm. Printed on handmade paper with margins ca. 2-3 mm.
Beham, Hans Sebald (1500-1550). Death of Queen Dido of Carthage ("Reginae Didonis Imago ..."). Orig. copperplate engraving, 1520. Typographically signed with the monogram 'HSP' and dated bottom right. 11,9:8,9 cm. Printed on handmade paper with margins ca. 0,5-1 mm.
Altdorfer, Albrecht (1480-1538). "Pyramus and Thisbe". Orig. copperplate engraving, 1515-18. Typographically signed with a monogram 'AA' lower right. 6:4 cm. Printed on handmade paper with margins ca. 0,5 mm.
Callot, Jacques (1592-1635). "Salvatoris Beatae Mariae Virginis Sanctorum Apostolorum Icones A I. Callot Inventae, sculptae, et a Israele amico suo in lucem editae" (= "Les Grandes Apostres"). Paris: Israel Henriet, 1635. A set of 7 (of 16) orig. etchings. Each ca. 14,5:9,5 cm.
Venice - architectural capriccio. Orig. etching by Domenico Bernardo Zilotti (1730-1795) after M. Marieschi's (1710-1744) drawing. Published by Marco Pelli in Venicev, 1750-1780. Typographically signed left and right below the picture. 37,5:57 cm on thick paper sizes 43:61 cm.
Venice - architectural capriccio. Orig. etching by Domenico Bernardo Zilotti (1730-1795) after M. Marieschi's (1710-1744) drawing. Published by Marco Pelli in Venicev, 1750-1780. Typographically signed left and right below the picture. 37:57 cm on thick paper sizes 43:61 cm.
Osnabrück. Hollar, Wenceslaus. "Osnabruga, vel Aureliopolis, a conditore suo Imperatore Aurelio illustris, sui Episcopi sedes, magnifica, et Vetustissima Urbs". Orig. copper-engraving, W. Hollar. Published by J. Janssonius in Amsterdam, 1657. With ornamental title-cartouche and a great cot-of-arms. 35:48 cm.